Eli Acheson-Elmassry
Artist
Artistic Residency, Grazie di Curtatone, nr Mantua, Italy
The "Homo Botanicus" Symposium, curated by Paola Artoni (director of the MAM Gazoldo) and Paolo Bertelli (Scientific Committee of the Aroma Itinerarium Salutis), focused on the relationship between humans and nature.
The participating artists were invited to reflect on the importance of listening to plant life; to bring forests into our cities, creating a new ecosystem encompassing materiality and symbols.
All the artworks created will be exhibited in September 2026 at the Art Biennale of the Museum of Modern Art “Homo Botanicus” hosted in the MAM Museum of Modern Art in Gazoldo degli Ippoliti, Mantua, Italy. *
*Text from Curator's residency description.



Artist Eli Acheson-Elmassry performing in the artwork 'Shaman Robe of Lombardy'
Photography by Marina Tomasi, (above, above right, centre right and below right)
'Shaman Robe of Lombardy', May 2026.
Satin, acrylic paint and latex.
This robe was created with the residency brief in mind. The robe is an emblematic item the artist has made once before, signifying as it does not only a ceremonial garment across history and across cultures but relating specifically to the theme through shamanism. In that tradition it is used to create a private dark space into which the shaman can journey to other worlds of consciousness for messaging and healing.
The robe historically is individually crafted and adorned with items of significance to the Shaman. A facial covering is used to further allow the shaman to be hidden as she/he undergoes their spiritual work. This work is always in unison with nature as a communicator and guardian.
Growing up as the artist did in ecclesiastical surroundings, and subsequently living in Egypt and Saudi Arabia, Acheson-Elmassry plays with the multiple meanings and challenges inherent in this common object, whilst also allowing for the full expression of a very individual creative and spiritual expression.
As the artist explains:
"I took latex casts of objects I had at home in Wales, objects which are used to either control or nurture nature. Hand tools and mechanical items such as chain saws, hedge trimmers, saws, spades, rakes, secateurs etc. I cast them in yellow and green, to match the commonest colours of spring.
Once in Italy, I chose items from the local flora/fauna to paint on the robe. Cornflowers, dragonflies, pomegranate flowers and sycamore leaves signified their close connection to the region of Lombardy. The casts were attached and I made a performance in the village of Grazie, walking past the church and down to the river Mincio. "
The artwork will be exhibited in September 2026 in an exhibition at MAM Museum of Modern Art, Gazoldo degli Ippoliti, Lombardy, Italy.


Picture above: studio shot, Eli Acheson-Elmassry.